Roxana Dan

ILLUSTRATOR

DIGITAL & TRADITIONAL · FIGURATIVE

I bring stories to life through digital and traditional mediums — what I see, feel, and think. The work is figurative, colour led, and emotionally direct.

Illustrations on paper

Equilibrium

It might be anxiety that takes control when you are you. Or it might be a social construct that limits your way of being. Or it might be just that the show ended before the big finish.

acrylic

watercolor

narrative

expressive

atmosphere

Palette:

Dimension: 594x841mm

Reverie

Drawn from the stillness of geisha — the porcelain profile, the weight of dark hair, the face that gives nothing away — but the blue pulls her out of history and into something more private. She belongs to no one's tradition but her own.

editorial

acrylic

profile

expressive

close-up

Palette:

Dimension: 594x841mm

Cherry flower

Botanical inspiration framed in geometric black-and-white bars — nature interrupting structure, or the other way around. The tension between organic and grid is what makes it breathe.

ink

liner

watercolor

pattern

decorative

botanical study

Palette:

Dimension: 594x841mm

Self

A figure kneels among tangled roots and overgrowth, the darkness pressing in from all sides — but she is not overwhelmed, she is part of it. Ink at its most textural and alive.

ink

figurative

atmosphere

expressive

body study

Palette:

Dimension: 594x841mm

Decisive

Sometimes drawing with 001 liners put me into a meditative space. The same focus is found within the portrait.

ink

liner

portrait

expressive

study

Palette:

Dimension: 594x841mm

Reborn

With every material resources a woman has she choses to feed from the eternal earth.

ink

mixture

watercolor

brush

figurative

Palette:

Dimension: 594x841mm

Porthole feast

A circular composition frames a tangled scene — octopus, ship, sea. Strange and ceremonial at once.

ink

stain

liner

adventure

brush study

Palette:

Dimension: 594x841mm

Glass, material and study

Charcoal study to have an understanding on materials like velvet, metal, glass, shadow and light.

charcoal

study

glass

velvet

metal

Palette:

Dimension: 594x841mm

Crumpled paper study

Charcoal study to have an understanding on strong shadows and complex surface.

charcoal

study

lines

paper

composition

Palette:

Dimension: 594x841mm

Capricorn

The theme grows from a zodiac sign outward — lace is conveyed into water, the creatures living inside it as if it were always the sea.

lace

pencil colours

accent

fantasy

figurative

Palette:

Dimension: 594x841mm

Night Current

A face painted with cool restraint — the bruise of violet around the eye reads less as wound, more as weather. She is elsewhere.

watercolor

feminine

figurative

expressive

gouache

Palette:

Dimension: 594x841mm

About

I've been drawing since I was a child — not because someone told me I should, but because it was already there. After school I took private drawing lessons, and everything else built from there: commissions, album covers, posters, and mostly personal work that didn't need a reason to exist.

Large letters in brand typography

I work in both traditional and digital media, and I've come to understand them as two different kinds of thinking. Traditional is messier, less controllable — the brush leaves a mark the environment half-decides, and that restriction is where the creativity lives. Digital is cleaner, faster, infinitely adjustable. Each medium pulls a different style out of me, almost without asking. I like that. It means the tool is part of the work.

Drawing is where reality breaks for me. Nothing is fixed, nothing is given — just open space and whatever needs to come out of it. Time disappears. It's less something I do and more something I am.

I also deeply enjoy translating someone else's vision — sitting inside another person's idea and finding the image that was always waiting inside it. If you have something you want to bring to life, I'd love to hear about it.

Contact

For representation, commissions, or collaborations — I would love to hear from you. Whether it’s a personal project or someone else’s vision to translate, reach out directly.

Based in Bucharest

Let’s get in touch

roxanaclaudia.dan@gmail.com

Contact

For representation, commissions, or collaborations — I would love to hear from you. Whether it’s a personal project or someone else’s vision to translate, reach out directly.

Based in Bucharest

Let’s get in touch

roxanaclaudia.dan@gmail.com

Roxana Dan

ILLUSTRATOR

DIGITAL & TRADITIONAL · FIGURATIVE

I bring stories to life through digital and traditional mediums — what I see, feel, and think. The work is figurative, colour led, and emotionally direct.

Illustrations on paper

Equilibrium

It might be anxiety that takes control when you are you. Or it might be a social construct that limits your way of being. Or it might be just that the show ended before the big finish.

acrylic

watercolor

narrative

expressive

atmosphere

Palette:

Dimension: 594x841mm

Reverie

Drawn from the stillness of geisha — the porcelain profile, the weight of dark hair, the face that gives nothing away — but the blue pulls her out of history and into something more private. She belongs to no one's tradition but her own.

editorial

acrylic

profile

expressive

close-up

Palette:

Dimension: 594x841mm

Cherry flower

Botanical inspiration framed in geometric black-and-white bars — nature interrupting structure, or the other way around. The tension between organic and grid is what makes it breathe.

ink

liner

watercolor

pattern

decorative

botanical study

Palette:

Dimension: 594x841mm

Self

A figure kneels among tangled roots and overgrowth, the darkness pressing in from all sides — but she is not overwhelmed, she is part of it. Ink at its most textural and alive.

ink

figurative

atmosphere

expressive

body study

Palette:

Dimension: 594x841mm

Decisive

Sometimes drawing with 001 liners put me into a meditative space. The same focus is found within the portrait.

ink

liner

portrait

expressive

study

Palette:

Dimension: 594x841mm

Reborn

With every material resources a woman has she choses to feed from the eternal earth.

ink

mixture

watercolor

brush

figurative

Palette:

Dimension: 594x841mm

Porthole feast

A circular composition frames a tangled scene — octopus, ship, sea. Strange and ceremonial at once.

ink

stain

liner

adventure

brush study

Palette:

Dimension: 594x841mm

Glass, material and study

Charcoal study to have an understanding on materials like velvet, metal, glass, shadow and light.

charcoal

study

glass

velvet

metal

Palette:

Dimension: 594x841mm

Crumpled paper study

Charcoal study to have an understanding on strong shadows and complex surface.

charcoal

study

lines

paper

composition

Palette:

Dimension: 594x841mm

Capricorn

The theme grows from a zodiac sign outward — lace is conveyed into water, the creatures living inside it as if it were always the sea.

lace

pencil colours

accent

fantasy

figurative

Palette:

Dimension: 594x841mm

Night Current

A face painted with cool restraint — the bruise of violet around the eye reads less as wound, more as weather. She is elsewhere.

watercolor

feminine

figurative

expressive

gouache

Palette:

Dimension: 594x841mm

About

I've been drawing since I was a child — not because someone told me I should, but because it was already there. After school I took private drawing lessons, and everything else built from there: commissions, album covers, posters, and mostly personal work that didn't need a reason to exist.

Large letters in brand typography

I work in both traditional and digital media, and I've come to understand them as two different kinds of thinking. Traditional is messier, less controllable — the brush leaves a mark the environment half-decides, and that restriction is where the creativity lives. Digital is cleaner, faster, infinitely adjustable. Each medium pulls a different style out of me, almost without asking. I like that. It means the tool is part of the work.

Drawing is where reality breaks for me. Nothing is fixed, nothing is given — just open space and whatever needs to come out of it. Time disappears. It's less something I do and more something I am.

I also deeply enjoy translating someone else's vision — sitting inside another person's idea and finding the image that was always waiting inside it. If you have something you want to bring to life, I'd love to hear about it.

Contact

For representation, commissions, or collaborations — I would love to hear from you. Whether it’s a personal project or someone else’s vision to translate, reach out directly.

Based in Bucharest

Let’s get in touch

roxanaclaudia.dan@gmail.com

Contact

For representation, commissions, or collaborations — I would love to hear from you. Whether it’s a personal project or someone else’s vision to translate, reach out directly.

Based in Bucharest

Let’s get in touch

roxanaclaudia.dan@gmail.com

Roxana Dan

ILLUSTRATOR

DIGITAL & TRADITIONAL · FIGURATIVE

I bring stories to life through digital and traditional mediums — what I see, feel, and think. The work is figurative, colour led, and emotionally direct.

Illustrations on paper

Equilibrium

It might be anxiety that takes control when you are you. Or it might be a social construct that limits your way of being. Or it might be just that the show ended before the big finish.

acrylic

watercolor

narrative

expressive

atmosphere

Palette:

Dimension: 594x841mm

Reverie

Drawn from the stillness of geisha — the porcelain profile, the weight of dark hair, the face that gives nothing away — but the blue pulls her out of history and into something more private. She belongs to no one's tradition but her own.

editorial

acrylic

profile

expressive

close-up

Palette:

Dimension: 594x841mm

Cherry flower

Botanical inspiration framed in geometric black-and-white bars — nature interrupting structure, or the other way around. The tension between organic and grid is what makes it breathe.

ink

liner

watercolor

pattern

decorative

botanical study

Palette:

Dimension: 594x841mm

Self

A figure kneels among tangled roots and overgrowth, the darkness pressing in from all sides — but she is not overwhelmed, she is part of it. Ink at its most textural and alive.

ink

figurative

atmosphere

expressive

body study

Palette:

Dimension: 594x841mm

Decisive

Sometimes drawing with 001 liners put me into a meditative space. The same focus is found within the portrait.

ink

liner

portrait

expressive

study

Palette:

Dimension: 594x841mm

Reborn

With every material resources a woman has she choses to feed from the eternal earth.

ink

mixture

watercolor

brush

figurative

Palette:

Dimension: 594x841mm

Porthole feast

A circular composition frames a tangled scene — octopus, ship, sea. Strange and ceremonial at once.

ink

stain

liner

adventure

brush study

Palette:

Dimension: 594x841mm

Glass, material and study

Charcoal study to have an understanding on materials like velvet, metal, glass, shadow and light.

charcoal

study

glass

velvet

metal

Palette:

Dimension: 594x841mm

Crumpled paper study

Charcoal study to have an understanding on strong shadows and complex surface.

charcoal

study

lines

paper

composition

Palette:

Dimension: 594x841mm

Capricorn

The theme grows from a zodiac sign outward — lace is conveyed into water, the creatures living inside it as if it were always the sea.

lace

pencil colours

accent

fantasy

figurative

Palette:

Dimension: 594x841mm

Night Current

A face painted with cool restraint — the bruise of violet around the eye reads less as wound, more as weather. She is elsewhere.

watercolor

feminine

figurative

expressive

gouache

Palette:

Dimension: 594x841mm

About

I've been drawing since I was a child — not because someone told me I should, but because it was already there. After school I took private drawing lessons, and everything else built from there: commissions, album covers, posters, and mostly personal work that didn't need a reason to exist.

Large letters in brand typography

I work in both traditional and digital media, and I've come to understand them as two different kinds of thinking. Traditional is messier, less controllable — the brush leaves a mark the environment half-decides, and that restriction is where the creativity lives. Digital is cleaner, faster, infinitely adjustable. Each medium pulls a different style out of me, almost without asking. I like that. It means the tool is part of the work.

Drawing is where reality breaks for me. Nothing is fixed, nothing is given — just open space and whatever needs to come out of it. Time disappears. It's less something I do and more something I am.

I also deeply enjoy translating someone else's vision — sitting inside another person's idea and finding the image that was always waiting inside it. If you have something you want to bring to life, I'd love to hear about it.

Contact

For representation, commissions, or collaborations — I would love to hear from you. Whether it’s a personal project or someone else’s vision to translate, reach out directly.

Based in Bucharest

Let’s get in touch

roxanaclaudia.dan@gmail.com

Contact

For representation, commissions, or collaborations — I would love to hear from you. Whether it’s a personal project or someone else’s vision to translate, reach out directly.

Based in Bucharest

Let’s get in touch

roxanaclaudia.dan@gmail.com